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Annie Proulx

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Full Name and Common Aliases

Edna Ann Proulx, widely known as Annie Proulx, is a celebrated American author whose evocative storytelling and profound insights into human nature have earned her a prominent place in contemporary literature.

Birth and Death Dates

Annie Proulx was born on August 22, 1935. As of the latest available information, she is still living.

Nationality and Profession(s)

Annie Proulx is an American author and journalist. Her career spans several decades, during which she has established herself as a formidable voice in fiction, particularly known for her novels and short stories.

Early Life and Background

Annie Proulx was born in Norwich, Connecticut, and grew up in various locations across New England, a region that would later influence her writing. Her father, a textile executive, and her mother, a painter, instilled in her a love for storytelling and the arts. Proulx attended Colby College and later the University of Vermont, where she earned a degree in history. Her academic background in history is evident in her meticulous attention to detail and the rich, textured settings of her narratives.

Major Accomplishments

Annie Proulx's literary career is marked by numerous accolades and awards. She gained widespread recognition with her novel "The Shipping News", which won the Pulitzer Prize for Fiction and the National Book Award in 1994. This novel, set in Newfoundland, is celebrated for its vivid portrayal of the harsh yet beautiful landscape and its exploration of themes such as isolation and redemption. Proulx's ability to capture the essence of place and character has been a hallmark of her work, earning her critical acclaim and a devoted readership.

Notable Works or Actions

In addition to "The Shipping News," Proulx is renowned for her short story "Brokeback Mountain," which was originally published in The New Yorker in 1997. This poignant tale of forbidden love between two cowboys in the American West was later adapted into an Academy Award-winning film, further cementing Proulx's status as a significant cultural figure. Her other notable works include the novel "Accordion Crimes" and the short story collection "Close Range: Wyoming Stories," which also features "Brokeback Mountain."

Impact and Legacy

Annie Proulx's impact on literature is profound. Her works are celebrated for their lyrical prose, complex characters, and the exploration of themes such as identity, belonging, and the human condition. Proulx's writing often delves into the lives of marginalized individuals, offering a voice to those who are often overlooked. Her ability to weave intricate narratives that resonate with readers on a deep emotional level has ensured her place in the literary canon.

Why They Are Widely Quoted or Remembered

Annie Proulx is widely quoted and remembered for her ability to capture the raw, unvarnished truths of human experience. Her writing is characterized by its authenticity, emotional depth, and a keen understanding of the complexities of life. Proulx's works often explore the intersection of nature and humanity, revealing the profound impact of the environment on personal and collective identities. Her storytelling is both timeless and timely, addressing universal themes that continue to resonate with readers around the world. As a result, her words are frequently cited for their insight and eloquence, making her a beloved and enduring figure in literature.

Quotes by Annie Proulx

Annie Proulx's insights on:

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Their faces were scarified in hideous whorls and dots. As for clothing, they dressed in vegetable matter. Another.
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You got to think a musical instrument is human or, anyway, alive... You take a fiddle now, we say it has a neck, and in the human neck what do you find? Vocal cords like strings, where the sound comes from.
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When the watermelons were as large as a child’s head, the women boiled them, but they collapsed into a tasteless green mush that no one could eat, not the children, not the cow.
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Plumes of smoke rose hundreds of feet into the air, elegant fountains and twisting snow devils, shapes of veiled Arab women and ghost riders dissolving in white fume.
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And he would wake sometimes in grief, sometimes with the old sense of joy and release; the pillow sometimes wet, sometimes the sheets.
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The long horizon, the lunging, clotted sea like a swinging door opening, closing, opening.
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Billy stretched and yawned, his withered neck taut again for a few seconds. “I can feel the season changing,” he said. “Drawing in. This weather change coming means the end of hot weather. Time I got out to Gaze Island and worked on me poor old father’s grave. Put it off last year and the year before.” Some sadness straining the words. Billy seemed stored in an envelope; the flap sometimes lifted, his flattened self sliding onto the table.
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It is a good thing for a man a hit bottom because that’s when he learns what he’s made out of.
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The idea of the North was taking him. He needed something to brace against.
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What I find to be very bad advice is the snappy little sentence, ‘Write what you know.’ It is the most tiresome and stupid advice that could possibly be given. If we write simply about what we know we never grow. We don’t develop any facility for languages, or an interest in others, or a desire to travel and explore and face experience head-on. We just coil tighter and tighter into our boring little selves. What one should write about is what interests one.
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